Whistler And Others 12+

📙 Utters Frederick Wedmore In Art, at in Affection, sympathies are involuntary. For all that, sooner or later, they will need to be justified NEW YORK CHARLES SCRIBNERS SONS Fifth Avenue 1906 Note The JFrst f T7i. r 2 T f tft JPtftcenfto. Chapters ttt l ylufft Jtuctve xe n tftc tt ht aZmatdCy from 2 JkTatgretssJtne o f tt f than tei ter to Sir James first CONTENTS Page A CANDID WORD ix I. THE PLACE OF WHISTLER . . 1 U. VENETIAN PAINTING ... 30 III. FANTIN AND BOUDIN ... 35 IV. RICHARD WILSON 70 V. GOYA 72 VI. THE RISE OF ENGLISH WATER-COLOUR 76 VII. ROMNEY AND LAWRENCE . . 90 VIII. RAEBURN AND 2OFFANY , 92 IX. RUSKIN 95 X. CONSTABLES ENGLISH LANDSCAPE 105 XI. ETTY 125 XII. LARGE WATER-COLOURS . . .127 XIII, HINE 129 XIV. AN ENDLESS ROLL-CALL . . .135 XV, THE FIELD OF THE PRINT COLLECTOR 137 XVI. THE NORWICH MASTERS . .168 XVII. THOMAS COLLIER . . . .185 XVIII. PICTURES BY ORCHARDSON . . 191 XIX. CHARLES KEENE . . . .196 XX. PARIS AND FULLEYLOVE . . .199 XXI. D. Y. CAMERON .... 207 XXII, STILL LIFE 215 XXXII. THE ART OF BRABAZON . . .217 XXIV. THE PERSONALITY OF WATTS . . 221 Candid Word to the English Reader, by way of Preface A PREVIOUS look of my assembled essays On Books and Arts touched on Pictorial Art, the Stage, and Literature. This one ventures to be altogether about Pictorial Art, with this reservation always that to my mind no writing about any Art is other than pedantic, academic, or fragmentary me moires pour servir, at the most if it is not based on vivid, irrepres...